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Posture: This is the correct posture for playing a Tonbak. However, the following picture is for people who are left-handed. Right-handed people can bassicaly use the same idea for placing the Tonbak but opposite of the picture displayed.

The instrument must firmly rest on your lap with one arm on the side of the drum and the other laying on the Tonbak itself. The arm laying on the Tonbak should not be lifted at any time while playing the Tonbak unless specifically needed on a specific technique. (usually riz-e-zoorkhane).
Tom: The 'Tom' is one of the main strokes used while playing the Tonbak. It's sound generates a distinctive, clear bass like sound.

The stroke is hit by curling the hand into a shell like posture by using the wrist movement to strike against the lower center area of the skin. It is very important to strike the Tom' and remove the hand immediatley using a wrist movement and not an arm movement.

Bak: The 'Bak' stroke is another main playing technique of the Tonbak, creating a higher sound by striking on the side of the drum using one or two fingers.

Again this technique is played while using the wrist movements and not the arm movement. It is told that the basic wrist movement is like that of a soldier saluting an officer. An immediate strike to the skin followed by an upward position of the hand, thus enabling it to be prepared for the following strike.
Pelang: 'Pelang' is played by snaping the fingers on the top-side of the drum. This technique creates a beuatiful and distinct sound only played on the Zarb.

The student trying to perform this technique must remember not to strain the fingers and wrist while attempting to play this technique but rather attempt to play it in a very delicate manner.